Maine hasn't been at its best lately, given the humidity and the apocalyptic skies, the Biddeford murder and the Senate race debacle. Add in the fact that my younger son is leading a canoe trip in the fire-ridden northern Ontario wilderness, and you can imagine that I'm jumpy. Yesterday his partner and I decided we needed to make sure he was okay, so we reached out to the camp for updates, which were reassuring. He is north of the Albany River fire and is continuing to paddle out of reach of it. The provincial lookouts have him on their radar; he's got a satellite phone so can call for evacuation if needed; the camp is very experienced with Canadian fire season. We feel better, and also do not feel better, but so it goes.

Jumpy is a good word for how I feel in general. Yesterday I had an intense conversation with a friend about my role as poet laureate. Our back-and-forth was more subtle than this paraphrase, but basically the question was, Do I now have a duty to be loud in support of righteousness? He thinks I do, and I agree with him. For me, the big issue is where and how to be loud . . . and when does being loud damage my ability to instigate longer-term change? Social media is a dangerous realm. So are school boards.

But, as he pointed out, one thing I can do is write occasional poems--that is, poems that comment on specific events--and then find a way to publicize them. The point of an occasional poem is timeliness, which means I'll have to squinch my eyes shut perfection-wise. On the other hand, speed is not always a bad thing, as I learned when I was writing my "Accident Sonnets." So yesterday I wrote and submitted a poem about the Biddeford killing, which a journal immediately accepted and will publish within a few days. This journal has a big subscriber list, so the poem will be read. It also has an audience that is predisposed to support progressive causes. Is preaching to the choir the best way to be public? Again, I twitch and worry. Yes, I do the majority of my teaching in a conservative area of the state, and I have always seen this work as activism. But who among us truly believes in poems?