Dawn Potter
Monday, March 30, 2026
Sunday, March 29, 2026
Here I am again, awake too early, but at least I'm getting up at 4:30 after a full night's sleep, not lying sleepless in bed at 1 a.m. Fortunately, my back injury or whatever this is seems to be gradually healing. I'm still quite stiff, but less so than I was, and the shooting pains have dissipated. Maybe I'll have a Tylenol-free day . . . that would be a treat.
Since I'll be hitting the road for Vermont tomorrow, I've got to get my housework done today, and run errands, and otherwise behave like a non-injured person. I'd like to do some inaugural yard work but I may not have the time or the bending capacity. Gardening is basically just a string of strange yoga poses wrapped around shrubs, and my flexibility is convalescent. But by next weekend I should be back to normal.
Even setting aside my injury issues, the last few days have been odd. As you know, I've been carrying around some news that I can't yet share, but it's rattled me a little, washed me into an evanescent past-present-future that is not so different from convalescence. I'm intermittently distracted, elegiac, prone to tears. Probably it's a good thing that I'm going to Vermont for a few days, where I'll be confronted by situations and obligations and won't have the luxury to waft around in a fugue state.
First, though, I need to find a novel to read. And by the way, I've had another thought about that possible Poetry Kitchen class: syntax as inspiration. Maybe one of these days I'll get a chance to work out the details.
Saturday, March 28, 2026
It's cold this morning, which is too bad because today is the big No Kings protest so in a few hours we'll have to go downtown and stand around and freeze. Sigh. But when civic duty calls, you put on long underwear and two coats and trudge up the hill and speak your mind.
Fortunately my yanked back muscle or whatever this is seems to be healing, though I'm still very stiff and sore when I get out of bed. Yesterday I swallowed only one dose of Tylenol and managed to do my house chores and even walk my usual two-plus miles, so that was an improvement over the day before, when I was running entirely on acetaminophen and having a hard time putting on my socks. But I'm not sleeping well--body discomfort plus busy thoughts, always a winning combination--which accounts for why I'm writing to you so early on a Saturday morning.
Still, it's nice to be quiet and untethered, even if I have to be awake. I like knowing that T is asleep, that Chuck is roaming the floors, that the lamps glow and the furnace groans and coffee steams in the pot. The weekend already feels so brief: on Monday I'm heading to Vermont to visit my parents for a couple of days, and then as soon as I return I'll drop into extreme busyness again: end-of-year teaching lunacy, conference prep, stacks of editing, gardening. But now is a little window of peace.
Speaking of the conference, we are completely full! Wait list only! And with a number of new participants signed up alongside some regulars! I'm so pleased, and relieved. Every year I doom-talk myself into imagining it won't run, no one will show up, the program's a bust, that's it, give up, etc. You know that conversation: who else can you trust to be your own worst enemy?
Now that I've quelled the doom-talker, what I ought to do is design another Poetry Kitchen class for later this summer. I've had so much else to do lately that I haven't had the wherewithal to keep inventing classes. But I'm considering a generative poetry session based around the influence of the novel--maybe selections from Woolf, James, Bowen, Henry Green; maybe some Victorians as well . . . I haven't even begun to suss out how this might work, but it feels like it could be rich.
Friday, March 27, 2026
So a thing happened to me yesterday afternoon that I cannot tell you about for a few days . . . which I understand is an annoying teaser and you have every right to be irritated, but my thoughts have been so occupied by the surprise, pleasure, nerves, and elegy linked to this news that I can't refrain from acknowledging my state of mind. Fortunately I'll be busy today: finishing an editing project (I hope), dashing out for a haircut, then talking to Teresa about Aurora Leigh. In Florida we agreed in passing that we were moved and excited by the poem, but we didn't have any chance to talk more intently about what we were seeing. I'm looking forward to finding out what brilliant thoughts she's uncovering.
Otherwise, I'm still kind of hobbled by my sore back, though it's better than it was, and my nose still won't stop running, and Chuck is trying to drink my coffee, and I've got to haul trash to the curb or get Tom to do it for me if that chore turns out to be a dumb idea for my injury. But maybe at some point today I'll also have a chance to look at the draft-blurt in my notebook--the first new poem draft I've written for weeks. It was so good to get back to work with the poets last night. How I love my writing group. That is a thing I never thought I'd say, back in the days when I was a proud solitary in the woods. But these poet-friends make Portland a sort of Eden.
Thursday, March 26, 2026
Had a good, productive class yesterday, then a staff meeting about how we'll organize the remaining Monson sessions, and eventually I made it home, late but still in daylight, which feels like such a treat. Really, the only thing that went wrong was that somehow, I have no idea how or when, I yanked a muscle on one side of my lower back, and now I feel like I'm 102, wincing and groaning as I creep through the house.
Well, I expect it will improve . . . not stiffening up in the car for two and half hours will surely help, and T massaged it out a couple of times yesterday evening, which also seemed to improve things. A slow walk and some Tylenol, and perhaps soon I will feel like I'm 95 or even 87.
Otherwise today I'll be back at my desk, with hopes of making big progress on the editing project. And unless I'm not ambulatory I hope to go out to write tonight. I haven't been to my writing group for weeks, and I've really missed it.
One thing I need to do is return my attention to my new manuscript. While the kids were working yesterday, I pulled up the file and spent some time staring at it--accomplishing nothing other than relearning what I'd made, but that in itself seemed important. A manuscript is a private life that tentatively reaches toward a public one. It is an odd transitional object--not a book yet, though it hopes and worries. Still, it has separated itself from me . . . it has stepped forward into a new space. I read it and wonder what these once-familiar words have become.