Lenten roses are in their glory now, and species tulips and bloodroot are also lovely. The three ramps I planted without much hope during Covid are spreading beautifully among the bloodroot flowers, and I've even been able to selectively cut a few leaves for meals.

It's been so good to get outside, to relearn my gardening muscles, to idle by the wheelbarrow and watch robins splash in the birdbath. There is no such thing as catching up on garden chores: as soon as I finish, I have to start all over again. But overall the homestead is looking bright and neat and slightly crazy, which is how I like it best.

Yesterday Teresa talked to me about my new manuscript, a conversation that's left me nervous, gloomy, frozen, and overexcited, in about equal proportions. Ugh. Poetry. Why is it so hard? [You know I don't really mean that but, jeez, by this time you'd think I'd have figured something out.]

This poet laureate thing has already been a lesson in humility. I just don't know that much about poems, despite having spent the bulk of my life immersed in them. Who am I to be an ambassador for such a mysterious art . . . an art that is like water running through fingers, like air sifting through a screen.

Well, thank goodness for daffodils, and hot coffee, and Young Charles cheerfully pushing a sliver of kindling under the doormat. The poems settle into the cracks, rise like dust, barely visible but always present. Blink and you miss them. Blink and they're everywhere.