Tuesday, April 25, 2017

Yesterday I received notice that my collection Songs about Women and Men was a semi-finalist for the Dorset Prize. This is the second time this season that I've had a collection place well in a contest: early in the year, Chestnut Ridge was a semi-finalist for the Wilder Prize.

I'm gratified that readers seem to be interested in both collections, but of course I'm also frustrated because I can't seem to get beyond that status. Then again, I haven't been applying to contests for all that long. So I guess I should be patient with myself.

Both collections are sitting on the desks of various non-contest publishers, so maybe something will happen there. Reading fashions change, that's for sure. For a while, I'd given up on Chestnut Ridge entirely, and now, since the election, it seems to be garnering at least some attention. I was listening to an interview with the playwright Lynn Nottage, who researched and wrote her play Sweat (about working-class Reading, Pennsylvania) well before Trump came to power. Yet audiences, post-Trump, are responding to it as a topical statement. The same may be true of Chestnut Ridge. But I hate to allow myself to get too optimistic. There are a lot of people out there trying to publish poetry manuscripts. I've heard that roughly a thousand people submitted to the Dorset Prize. I'm lucky to get any kind of notice.


David (n of 49) said...

Congratulations, Dawn. That kind of recognition among so many submissions isn't "luck"--it's instead and of course a measure of the work's quality. Congrat's again. Well done.

Maureen said...

Just back from a wonderful trip to NYC. Saw the Emily Dickinson exhibit at The Morgan.

Congratulations re Dorset recognition! I keep my fingers crossed for you that both books find their publishers.

Dawn Potter said...

Thank you both!