Also, Scott's The Bride of Lammermoor is wearing me down. So serious! So foreboding! Such irritating romantic leads! I am longing for Shakespeare's rude mechanicals or Dickens's comic traveling actors or Trollope's silly clergymen. Instead, I get "His daughter--his favourite child--his constant playmate--seemed formed live happy in a union with such a commanding spirit as Ravenswood; and even the fine, delicate, fragile form of Lucy Ashton seemed to require the support of the Master's muscular strength and masculine character." Ugh. I hate them all. Why can't Lucy snap out of her "ooh, I'm so helpless; nice man, tell me what to think?" and be more like Austen's Elizabeth Bennet, striding through the muddy lanes and fields to Netherfield Hall? But no. Apparently, the sign of a true lady is her ability to faint elegantly during a thunderstorm.
On the bright side: During yesterday's game as we were watching Mets relief pitcher Bartolo Colon (short, chunky, old) throw some warmup tosses, I mentioned that I thought he looked like the Frog Footman in Alice in Wonderland. Paul immediately went off on a riff about creating a two-man, Rosencrantz-and-Guildenstern-like show featuring the Frog Footman (starring Colon) and the Fish Footman (starring Steve Buscemi). I can't wait to see it.
On the bright side: During yesterday's game as we were watching Mets relief pitcher Bartolo Colon (short, chunky, old) throw some warmup tosses, I mentioned that I thought he looked like the Frog Footman in Alice in Wonderland. Paul immediately went off on a riff about creating a two-man, Rosencrantz-and-Guildenstern-like show featuring the Frog Footman (starring Colon) and the Fish Footman (starring Steve Buscemi). I can't wait to see it.
3 comments:
Try watching the opera Lucia di Lammermoor. It has such beautiful music.
I do know the opera, and the music does make up for a beastly plot line.
I figured that you were well versed in that music. For me, it is those cross yourself and pray high notes.
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