I am thinking about the way in which setting becomes a character, not only here in my own Harmony life but also in fiction: Richard Ford's central New Jersey in The Sportswriter, Ford Madox Ford's cold and ominous Greenwich Palace in The Fifth Queen. (Truly it was only by accident that I cited two men named Ford.)
I am also thinking about Beowulf, in which half a population--the women--are invisible but the sea is as alive as the men are:
Shoulder to shoulder, we struggled onI must learn how to write a letter to this poet.
for five nights, until the long flow
and pitch of the waves, the perishing cold,
night falling and winds from the north
drove us apart. The deep boiled up
and its wallowing sent the sea-brutes wild.
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I have been considering on this poem/voice of the nameless women. How would it go if, perhaps, there were a dialogue, a poem in two voices? Because there are so many nameless women in literature of antiquity: the woman at the well in the New Testament comes to mind, the woman in Song of Solomon, the women in Egyptian love poetry...so many voices, but no names. Is there anonymity limiting or freeing? Kind of a verbal hijab? O I dunno...
ugh...*their anonymity
Before I can start writing, though, I need to spend some time reading a few cultural histories about the Vikings. I need to feel the physical world--the details of stuff and work--before I can start imaging these women.
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