Lately I've been feeling as if my entire private life has been slotted into tiny gaps among driving boys to piano lessons, basketball practice, and tooth doctors, and washing boy clothes and cooking boy meals and sweeping boy dirt off the kitchen floor. Or maybe all this actually is my private life. Frequently it's hard to tell. In any case, should your venue require a poet, the event will be a nice change from peeling potatoes.
Here's a poem from Crimes that sums up how I'm feeling today. Chalk it up to the headache, or maybe being surrounded by people who eat all the baking chocolate and don't know how to clean hair out of a drain. Not that I don't adore them anyway. . . .
AubadeDawn PotterAnd what about the small eye, Walter?--the leaves of grass you overlooked, winterlichen clutching fence posts, a draggleddead squirrel in the snowbank, the redletters of my name, serif by slant?It was bliss you sighed, panted,howled for: the View from Space--big comet Walt chasing Madam Eosacross a streaky sky, old guilty dawntempting another kosmic shamanto lurch word-drunk from the rafters . . .oh, I grieve for every morning-aftergroan rising from your sallow bedas I fire your cookstove, bake your bread.
5 comments:
So many wonderful details in your poem, Dawn; I especially like how you conclude it, so matter of fact.
I know the "dawn"/Eos/aubade references are melodramatic; but frankly, it's hard to be a writer named Dawn without suddenly discovering how often that metaphor turns up.
I lurched word-drunk to read you this morn and love how you show our literary tradition in this poem....celebrating tongue in cheek, I think-- you might actually like my bit on The Mocking Bird influence and the poem that fell into place for my mss-- xj http://parolavivace.blogspot.com/2010/11/to-love-mockingbird.html
No, I wouldn't say this is tongue-in-cheek. It's got comedy and it's got melodrama and it's got rhymed couplets, but it also did hurt to write this poem--because how much does being a great poet depend on having other people pick up the dull pieces for him? And what kind of particular vision does that housekeeper have that the great artist does not? And why doesn't she just leave him to his own devices and go do her own work? What if she really doesn't have any other work? That last fear is the kicker, I think.
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