Thursday, August 6, 2009

Why do I feel compelled to mow all the grass (and there is a lot of grass, and all I have is a push mower) before going away for the weekend . . . meaning that I won't even be here to look at the result, which is not much of a lawn anyway but more of a shortish patchy meadow interrupted by gardens?

The gardens, however, are somewhat more fruitful than I expected, given our horrible summer. The red potatoes are late yet mysteriously perfect: not a scab on them. The carrots are strong and straight, despite my stony soil; and the green beans are weighing down the vines. But no tomatoes, no cucumbers. Alas, no gazpacho.

Because I ought to stop wasting time with this writing stuff and go feed goats and make bread, I will give you a Milly poem.

Spring Sickness

Milly Jourdain

The starlings clustered on the trees
Are gurgling in the rain;
From garden beds the white snow slips,
Leaving them bare again.

When shines the sun upon the earth,
And spring is everywhere;
Like Paradise, the apple trees
Are fresh and scent the air.

The spring will come to this gray town,
That stretches to the brink
Of rivers where the trees grow green
And almonds flush with pink.

A wish is mine, so fierce and vain,
A sudden wish to run
Where thrushes sing, and near the hedge
Are celandines in the sun.

To me, this poem is not one of her better efforts. Not only does it lean clumsily on its rhyme scheme, but it's also far more sentimental than her poems usually are. But maybe you like it and can show me why.

2 comments:

Sheila Byrne said...

I do like this, though not as much as the other Jourdain poems.

The first & last stanzas draw you in by the ear- sounds of birds & winds, indicating change. The middle stanzas are all visual juxtapositioning- almond blossoms in a grey town, like a coloured daguerreotype, as if the mind can picture the coming spring, but only just.

An appropriate poem for such a dreary summer.

Dawn Potter said...

Thanks for sharing your response to this poem. I just find it really helpful, and illuminating, to be reminded about how different we are as readers, person to person, moment to moment. It's why art must be so varied . . . because we are.